237 x 169 cm Museo del Prado, Madrid Despite his training with Juan Carre?o de Miranda, Cabezalero had a distinct style from his master. His figures are drawn with crisp outlines and carefully modelled with firm, controlled brushstrokes, qualities that are different from the broken, impasto technique applied by Carre?o. These qualities are evident in one of his few surviving works, the Assumption of the Virgin, probably executed in the late 1660s and more indebted to Italian than Flemish sources
unknow artist
Assumption of the Virgin
Gemälde IDENTIFIZIERUNG:: 63948
1506 Oil on wood, 131,5 x 130,5 cm Vasco Museum, Viseu This painting is a pivotal work in evaluating how the artist interpreted his decisive Flemish influences: the abundant and angular folds of the robes, the way he depicts the ringleted hair of the angels who minister to the Blessed Virgin or the manner in which he painstakingly paints with precise realism and poetic sentiment, the details and miniature forms of the upper background. , Artist: FERNANDES, Vasco , Assumption of the Virgin , 1501-1550 , Portuguese , painting , religious
El Greco
assumption of the virgin
Gemälde IDENTIFIZIERUNG:: 64033